Showing posts with label Universal. Show all posts
Showing posts with label Universal. Show all posts

Thursday, February 2, 2017

Really Planning Ahead: Illumination Extends Slate to 2023


Holy crap! That's six years from now!

You read the title right, Illumination has added four new movies their slate, the last of which is set to open in the summer of 2023.

All of them are untitled, Box Office Mojo lists them as "Untitled Illumination Animated Film", as opposed to "Untitled Illumination Franchise Film." Could it be?? Is it possible that a majority of these movies will be original, non-sequel films? Maybe, maybe not... Perhaps a sequel rush after Grinch, and then a whole string of originals?

We shall see, but...

The dates.

Movie #1 - July 2, 2021
Movie #2 - July 1, 2022
Movie #3 - December 21, 2022
Movie #4 - June 30, 2023

I like that they're kinda-sorta pacing themselves with two-in-one-year thing. Double-whammies from them will come every two years starting in 2020, it seems. This past year was the first time Illumination readied two films for one calendar year, 2020 looks to repeat that (2018 was originally going to have two films), and now 2022. Will that turn into a pattern? Maybe, maybe not.

It's no shock, though... Illumination is a hit-making machine. Their lower budget movies, they really seem to strike a chord with the general public, no matter what kind of reception they get from critics and animation fans. Comcast probably has some algorithm or something...

Anyways, they're the first animation studio to claim dates in those years. Universal Pictures themselves were actually the first distributor to stake out a concrete 2021 date, for their tenth Fast & Furious installment. All of the other studios have yet to set anything in stone past 2020...

My theory on what will fill those slots? Something Dr. Seuss-based will, as they've been developing a Cat in the Hat movie for a while. The next two can go to Johnny Express and Flanimals, assuming both of those are still a go. Slot 4? Probably a sequel, Secret Life of Pets 3? You know it will happen.

What say you?

Wednesday, January 25, 2017

Despicable Sequels: Illumination Announces Sequel-Heavy Slate


Illumination Entertainment... What a well-oiled hit-making machine...

As Sing continues to hang on at the box office, the studio has rolled out a revised slate that adds two sequels to the mix.

Remember how The Secret Life of Pets 2 was set to open in July of 2018, just two years after the release of the first one? That's no more, the film has now taken the July 3, 2019 slot.

Another sequel fills their summer 2020 slot: Minions 2. That is opening July 3, 2020. When will enough be enough?

Finally, and this was totally inevitable, Sing 2 has been penciled in for Christmas Day 2020. Four years after numero uno.

No word on what will take the July 2018 slot Pets 2 left vacant, but... Yeah, sequels sequels sequels.

Forget your old complaints about DreamWorks being sequel-heavy, forget the "Pixar is a sequel factory now!" schlop. Illumination has gleefully taken the cake. Outside of an already-adapted Dr. Seuss story, their slate is sequels and franchise entries. So far, they've already released two sequels... All within the span of five years. Unless an original miraculously finds its way into July 2018, this is what we're stuck with. What the heck's going on with Johnny Express and Flanimals? So much for a push for more original stuff. PR-friendly words...

Now, nothing is ever concrete. It's very possible that Illumination will slate an original (read: something that isn't a sequel, before someone chimes in) in-between two of the three sequels. They have nothing else slated for 2019, so maybe Johnny Express can worm its way into a fall slot and give us something cool. Something to off-set the barrage of sequels. I don't dislike sequels, but three in a row? C'mon.

You could bring up the fact that DreamWorks did a three-in-a-row once... Kung Fu Panda 2, Puss in Boots (yeah yeah, spin-off! Still a franchise entry, though), and Madagascar 3. All released back-to-back, all were pretty well-received. I found all three to be strong pictures. It's a good point! To be fair, many an animation fan in 2011 looked at Puss in Boots - coming off the heels of the relatively unwanted and safe-as-vanilla Shrek Forever After - and deemed it unnecessary. Kung Fu Panda 2 was highly anticipated because of how good the first one was, whereas I think we kind of treated Madagascar 3 as an "oh well, they had to make it" kind of movie.

That being said, we got the three-in-a-row because of scheduling issues. In 2009, DreamWorks' 2010-2012 slate was a whole lot different. The same is true of Sony Pictures Animation. The Smurfs 2, Cloudy with a Chance of Meatballs 2, and Hotel Transylvania 2 all opened back-to-back as well. Leave out Goosebumps, and you actually get four in a row, with Smurfs: The Lost Village. The streak is ironically going to be broken by The Emoji Movie. In Sony's case, it was two things... At one point, 2014 was supposed to house a feature called The Familiars, which would've put it between Cloudy 2 and Hotel Transylvania 2. At another time, Sony Animation's 2014 film was going to be Genndy Tartakovsky's Popeye. Second... There was a complete management overhaul not too long ago. Their slate looked a whole lot different before the late 2014 hack and subsequent switcheroos.


I think it's a me problem as well, because Illumination kind of frustrates me to be honest. I think their movies show potential and have some charm, but end up feeling very plastic and corporate. Plus their only Dr. Seuss adaptation (for now) is another issue. I like that they put out two original, half-decent movies this year, but they can do better. For a studio run by one guy that keeps its budgets down, they really play it safe. Despicable Me, as far as I'm concerned, is their only genuinely good film. But like all overhyped things, it took on a form of its own that can be somewhat annoying when crammed down your throat during a period of time. Minions, Minions, Minions... Screaming yellow tictacs, their designs so generic, yet people love them so much. So much for their "animation is for kids" attitudes, they find joy in the simplest of animated characters.

I don't hate the Minions, I think they're a lot of fun in the first Despicable Me, because they didn't overuse them in that film. In part deux, yeah, they're more prominent and the film's could've-been-great story about the kids wanting a mother takes a backseat. Despicable Me 3's teaser intrigues me because the Minions only appear for like a few seconds, the trailer's all Gru and the new villain.

I'll put aside my bias for a few seconds. Minions 2 could work if it's still set before the events of Despicable Me. The first spin-off ends with them ending up with Gru, so the sequel could be about them and their relationship with Gru throughout his childhood. I'm not saying that Gru is some hyper-compelling character who needs all this backstory (the stuff with his mother rejecting him was enough), but in this world of "everything needs a sequel", might as well salvage it in some way.

Sing 2's existence doesn't bother me, but where do they go from there? Same thing with The Secret Life of Pets 2. They could use the sequels to explore new avenues and experiment, but they didn't do that with Despicable Me 2, which leads me to believe that they'll just be business-as-usual entries that gross a billion dollars each and Universal/Comcast/Illumination goes home happy. Hey, it's business, I get it... But I still think they should even things out a little bit.

Despite the fact that these things reel in money, maybe I wouldn't be as ornery if they only announced Sing 2 and pushed Pets 2 - already a known thing - back. Minions 2 in-between both, instead of an original, kind of irks me a bit.

What say you?

Sunday, January 15, 2017

Weekend Box Office Report: Paramount Finally Rips Band-Aid, Others Hold Well


In an alternate universe, maybe Paramount's misguided mishap would've been the next Avatar...

Anyways, we all saw it coming. Monster Trucks' tires deflated. Opening at #7, behind several holdovers, the film took in $10 million for the three-day. It's also doing nothing in the few territories it's out in. With a 3x multiplier, the thing won't make more than $30 million, so yes. Big loss, but again, we knew it was going to happen. Paramount knew it back in August, the spillover from the previous guard is finally here and off their chests. Cult favorite in a few years? Or something that'll be locked in the bad box?

Paramount Animation will be fine. A few days ago, it seemed like a few heads were optimistic about their more animated future. By that, I mean we'll be seeing more caricature animation films from them, less live-action movies with hyper-real VFX elements.

Sing still crows, dropping a great 33% and reeling in $18 million for the weekend. At this point, somewhere between $250-270 million seems to be the sky. The picture's now at $397 million worldwide, still has to open in some key markets, as noted before. How long before Universal and Illumination officially ink Sing 2's 2019 release date?

Moana is now out of the Top 10, but it's still hanging ten. (My theater lost it this weekend.) It fell 38%, the gross to date is $231 million domestically. Worldwide, it's now at cruising its way towards $500 million, as it's now at $482 million. Finally past the 3x mark, Disney must be happy. Does it break out in Japan? Could it get to $600 million? We shall see...

Trolls is still around, dropping 12% and making 385k. $151 million domestically, $338 million worldwide. Still waiting on the verdict from DreamWorks themselves, whether this thing's a profit-maker or not.

Storks officially ended its run this past Thursday. $72 million here, $182 million worldwide. Non c'รจ male!

What are saying for The Lego Batman Movie's opening numbers?

UPDATE: MLK weekend totals...

Four-days are in...

Monster Trucks has made $15 million now, an $29 million worldwide.

Sing is now up to $238 million domestically, and $402 million worldwide.

Moana is still at $233 million, as it's pretty late into its run. $484 million worldwide.

Trolls stayed the same.

Tuesday, January 10, 2017

A New Head: DreamWorks Animation Gets a New CEO


The transitioning still isn't over, it seems...

DreamWorks Animation finally has a new CEO, and one who is no stranger to animation.

The man in question is Chris DeFaria, who actually began his career in animation long before his live-action successes. He started out doing the voice of Peppermint Patty in a few Peanuts films and specials from the late 1960s to the early 1970s. For over twenty years, he has been at Warner Bros., being a key part of the visual fx/animation side of the company, and was one of the overseers of Warner Animation Group. He has quite a bit of experience, and seems like he is a good fit for the position.


As expected, DreamWorks president Bonnie Arnold (now by herself, co-president Mireille Soria stepped down last month) will answer to him, and he will answer to Universal chairman Donna Langley. CEO and founder of Illumination Entertainment Chris Meledandri, who made it clear that he wasn't going to run the studio, will be a senior advisor.

Here is what DeFaria had to say...

"Having the opportunity to shape the future of DreamWorks Animation and build on its storied legacy is an unbelievable honor... I can’t wait to get started with Donna and Chris, as well as Bonnie and the incredibly talented artists at DWA, on bringing more iconic stories and characters to audiences around the globe. This is the opportunity of a lifetime and while I will miss the many great people at Warner Bros. and the terrific projects with which I was involved, I couldn’t be more excited about everything that lies ahead."

The slate is still being figured out, while there is a clear road ahead. Nothing has changed for the films that have concrete release dates, but after this move, we should get an idea of what's in store. Will more interesting fare make the cut? The same ol'-same ol'? Or something unexpected?

What say you?

Monday, December 26, 2016

Carrying a Tune: 'Sing' Opens Well


Now that the Christmas week and weekend are over, what are the results?

Illumination's Sing lead the animated pack, which isn't surprising given that it's the new film from the reliably hit-making Despicable Me creators. That being said, the opening wasn't as spectacular as I thought it would be. It's still very good, because Illumination is smart with budgets. For those who don't know, they send the work to a French studio they own called Mac Guff. This is why their animated films cost less than $80 million to make.

Sing also debuted at #2, because of a strong hold-over for Rogue One. It pulled in $35 million for the three-day, and $55 million for the five-day. With Monday estimates already in, the film is currently at $76 million. Worldwide? $93 million. Key markets like the UK and Japan haven't gotten the film yet, it doesn't open in the country it was made in until next month. Russia and Japan have to wait until March. I'm sure it'll do fine over in those territories. Look for a leggy run with this one...

With a bevy of new releases, Moana slipped from second place to sixth. Only dropping 41%, the weekend total was $7 million, bringing the picture up to $180 million domestically. Monday estimates take it to $183 million. Worldwide, it's at $327 million. Like Sing, it has yet to open in a few major markets as well. At this point in its run back in 2010, Tangled was at $146 million. This means $237 million might be the ceiling for Moana, which is pretty darn good. That would be a stellar 4.3x the three-day opening weekend gross, 2.8x the five-day. Tangled made 4.1x its three-day, and 2.9x its five-day. If Moana performs more like that, then we'll be looking at a possible $240 million+ gross.

Trolls lost over 1,000 theaters and dipped 71% for the three-day, with a $390k take, $575k for the four-day. Worldwide, it is at $329 million. The picture looks to finish somewhere below $155 million in North America, a solid number that puts it between Kung Fu Panda 3 ($141 million) and Home ($177 million). Here's hoping the last two Fox-DreamWorks pictures do well.

No numbers for Storks just yet...

To be updated...

Wednesday, December 14, 2016

The Baddies are Back: 'Despicable Me 3' Teaser Surfaces


The teaser for the soon-to-be billion-dollar smash Despicable Me 3 is finally here, and...

It looks pretty good.


Yes. I'm actually looking forward to this now... Shocker!

Why's that? It has two things that already make it look better than the pleasant but forgettable Despicable Me 2... Less Minions, and an already-cool villain. I barely remember the bad guy from Despicable Me 2, but this guy? Already digging his stuck-in-the-80s look, gadgets and attitude, and he just seems like a fun adversary for Gru.

The other thing that makes it look good? Less Minions. They only appear for a few seconds at the end, I hope the movie is no different. Too much Minions in the second one, they couldn't quite carry the spin-off, and if you're a facebooker... Well, you'd be sick of Minions yourself. So yeah, for now, I think Despicable Me 3 looks like a step in the right direction.

I laughed a few times, too, oddly enough. I've said it here before, but despite a lot of been there-done that stuff, I find the first Despicable Me to be a solid family comedy while 2 was the fluff. Hoping part tre goes back to what I liked about the first film.

What say you?

Friday, October 21, 2016

Nothing's Changed: Universal Gets DreamWorks' 2018 Films, Doesn't Change Dates


It took a while, but it's been confirmed...

Universal Pictures will be releasing the other two DreamWorks films that are set for release in 2018: Larrikins and How To Train Your Dragon 3. They are now officially Universal films, 20th Century Fox's deal ends next year with Captain Underpants. Old news actually, a lot of us knew that a month ago. All these reports here and there implied that the early summer release would be the last DreamWorks film to be distributed by the gold twenty.

The news here is that Universal doesn't plan to change the dates for these two films.

Larrikins will still open on February 16, 2018, exactly one week after Warner Animation Group's Smallfoot, and the same day as Marvel Studios' hotly-anticipated Black Panther.

I thought this date was likely to change... I guess not.

The bright side. Universal knows how to market animated movies, unlike Fox most of the time, as Trolls is - unsurprisingly - tracking pretty badly and will be hit by Marvel's Doctor Strange. It's set to open with $30 million tops, worse than Mr. Peabody & Sherman, and not much higher than Turbo and Penguins of Madagascar. I assume that Fox is just ripping the band-aid at this point, not caring whether the $120 million-costing pictures will make it back or not. They lose DreamWorks in the summer of 2017, so are they thinking "So what?" You would think they'd want to make the most of what they have. Trolls' reception so far doesn't seem half bad, either... You'd think Fox would try harder to make it a little hit.

The Croods 2 still hasn't locked a new date, but it's clear that it'll stay in 2018, breaking the DreamWorks "two-a-year" policy... But then again The Croods 2 is a movie that will probably feel like it belongs in 2017 - even more so if it locks a January date, so I guess it's not a big deal in the end. It needed to be delayed too, not just because of Star Wars, but because of rewrites. Wherever it lands, who knows at the moment.

What say you?

Thursday, September 15, 2016

Growing Pains: DreamWorks To Lay Off 200+ Members


A norm in the land of animation and most of Hollywood in general, a wave of layoffs is hitting DreamWorks...

DreamWorks Animation is set to lose over 200 employees following Comcast's acquisition of them. This will mostly effect, per Universal Chairman Jeff Shell, corporate overhead, and folk within the distribution, marketing, and consumer products divisions. So the creative teams and animators are safe... For now, nothing is definite. Who knows what will happen next, but this was inevitable.

Universal still hasn't announced what DreamWorks pictures they have on hand, there's still lots to figure out first, the "settling in" part is still going. Deadline reports that sources are saying that Universal brass doesn't see Fox releasing any DreamWorks features after the mid-2017 release Captain Underpants, the narrative we've been hearing for quite some time. The Croods 2, a little while back, officially got picked up by the globe and currently is set for release some time in 2018. (The previous date was during winter 2017.)

The plot thickens...